Meet The Mics
The FG-47 recreates the sound of one of the most famous vintage tube microphones in the history of audio. It has a thick and full-bodied low end, rich and present mid-range, and smooth top end. This microphone sounds great on thick lead vocals, but also sounds incredible as a kick drum mic, room mic, guitar mic, and on horns and strings.
The FG-800 recreates the sound of one of the most popular modern tube mics, known for being the go-to choice for pop and hip hop vocalists. It’s extremely bright and airy, but with a warm bottom end. Using this mic on vocals will give you an instant polished ‘pop’ sound. However, this mic also sounds great on overheads and acoustic guitar.
The FG-251 recreates the sound of one of the most sought-after vintage tube mics in the industry. It’s one of the most in-demand lead vocal mics on the planet, known for being crisp, warm and flattering on a variety of voices. The FG-251 also sounds great on drums, guitars, acoustics, and just about anything else you put it on!
Classic 87 Expansion Pack
The most coveted microphone in the world is now available for the ML-1. The 87 has been used on countless records by the world’s top recording artists, and now you can harness all that same power in your own studio. Get three perfect models of the most famous mic ever made and introduce a ton of classic warmth and signature sound to your recordings.
*Requires the ML-1 microphone.
The SD-87 AI is a more modern iteration of this classic microphone. First introduced in 1986, this mic offers an almost entirely flat response with a slight boost in the 10k range. This gives producers an unprecedented level of flexibility, giving you crystal clear, transparent vocals every time.
The SD-87 MK II delivers all the sound and clarity that made this mic a legend when it first came out. The first of its kind to feature solid-state FET circuitry, this microphone has been a fixture in studios around the world, graced by the voices of everyone from Marvin Gaye to Carly Rae Jepsen. If you’re looking for the sound of a newly-purchased 87, look no further.
Blackbird Mics Expansion Pack
Nashville’s Blackbird Studios wields a staggering 1,400+ vintage and modern microphones. Last year, Blackbird owner John McBride personally hand-picked the five best vintage tube mics for the Blackbird VMS expansion pack. With the Blackbird VMS Expansion pack, VMS users will gain instant access to the exact tone of five of the very best vintage tube mics in the world!
*Requires the ML-1 microphone.
The most unique, beloved mic in the entire VMS collection, this famed microphone, serial number 584, is the one mic Blackbird clients were never allowed to use. Why? Because it was specially reserved for owner John McBride’s wife, legendary country singer Martina McBride. See why singers like John Legend and Demi Lovato consider this one their go-to microphone for thick, silky vocals.
This mic lives in a completely different league from other 67s. By delivering a slightly darker, thicker sound, the 67 has been a favorite of artists from The Beatles to Frank Sinatra. Its ultra-smooth top end subtle tube shimmer helped this microphone define the 1960s. A unique character makes it stand apart from every other microphone in the Blackbird Collection.
The Blackbird 12 boasts smoother highs and flatter lows than the original classic tube microphone. With stunning, open high end, detailed mids, and dramatic lows, this microphone will be your best friend when you need a vocal to sit perfectly in your mix. If that wasn’t enough? Warren Huart says this emulation is worth the price of the entire collection alone.
The original 49 was built specifically for vocalists. The Blackbird 49 kicks it up a notch by adding even more air, depth, and a dark presence in the lows that gives vocals a rich smoothness. Considered by many recording engineers to be the finest mic they’ve ever used, the Blackbird 49 gives vocals and instruments alike a warm, full tonality.
Classic Tubes 3 Expansion Pack
The Classic Tubes 3 Expansion Pack adds five new lush, vintage, and warm tube mics to the Virtual Microphone System mic locker. From German classics to custom hybrid Tube/Ribbon mics, these mics will help give your recordings a classic tone and feel.
*Requires the ML-1 microphone.
The stock 67 in the VMS collection has the low pass filter mod which makes it brighter than a typical 67, so we decided to add a gorgeous sounding stock 67 to Classic Tubes 3. The stock 67 is somewhat dark on the top end with beautiful lush lows. It can be great on vocals, drum rooms, piano, horns, and just about anything that needs a vintage tone!
Meet The Preamps
The FG-73 preamp module is modeled after one of the most famous discrete solid state preamps in the industry, made in Britain and used on countless recordings. It has a bold, present and warm sound that works great on any audio source – even full mixes.
The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick and colorful tone that can make tracks and mixes sound more ‘alive’. The bottom-end saturates in a very unique and musical way, making it a great module for bass guitar and kick drum tracks.
Meet The Hardware
Latency Free Processing
The Virtual Microphone System software consists of the Classic Tubes microphone module, which contains eight classic tube microphone models, the FG-73 British discrete preamp module, and the FG-76 German tube preamp module. None of these processing blocks add any latency to the audio signal, so if you use a low latency interface with VMS you can track through the VMS software without any audible monitoring delay.
To accomplish this, we recommend a Thunderbolt or fast USB interface, recording at 96khz with the lowest buffer size possible. The combination of the 96khz sampling rate and low buffer size ensures the lowest possible latency.
- Minimum: macOS 10.15 or later
- Recommended: macOS 11 or later
- Intel or Apple Silicon (M1) Processor
- AU, VST2, VST3, or AAX 64-bit host
- Windows 10 or 11
- Intel or AMD Processor, 4GB RAM
- VST2, VST3, or AAX 64-bit host
The All Access Pass can be used with iLok Cloud and does not require an iLok USB dongle. You will just need an active internet connection to use iLok Cloud.
Perpetual "Buy Now" individual plugin licenses require an iLok 2 or iLok 3 USB dongle.